Dobes Zone

       I realized, to my slight shame, that I never finished writing this review for The Island of Dr. Moreau, a book that I read months ago for the first ever assignment for the book club I'm running. So far we've also read Watership Down , Under the Skin, The Lives of the Monster Dogs, and now Cycle of the Werewolf! I'll have to write my reviews for the other books as well, but one step at a time I suppose.     I'd read a fair bit of H. G. Wells as a kid, being a huge sci-fi fiend and also a precocious early reader that got into a lot of heavier adult books while my peers were still on middle grade or YA books. I'd dug into War of the Worlds and The Time Machine but somehow had missed The Island of Doctor Moreau the first time around. If you've seen any of the movie adaptations, you might be lulled into the idea that you already know the story, but the book offers a lot more complexity and nuance than a lot of film adaptations are able to accommodate- somethin

       Octavia E Butler really is one of those authors whose work is impossible to put down once you pick it up. I read Fledgling as part of my book club (a special benefit for those supporting the excellent Girls Guts Giallo Patreon ) and it was almost impossible to not zoom through the book in a couple evenings. World building and exposition in sci fi and fantasy stories can really be make or break with how they're handled, and even quite skilled authors can lose me a little when they get lost in the reeds dumping a ton of info about the politics, culture, etc about a fictional world or people. A lot of the brilliance of Fledgling is how effortlessly Butler leads us into the world of vampires and making things like their customs, their biology (and even court proceedings) unfold in a way that's natural and riveting for the reader. Her style is sharp, precise and highly digestible while dealing with difficult concepts that have multiple interconnecting layers.   Fledgling is

 2021 was a bad year in a lot of ways but it was a stellar year for me in terms of watching new films (or at least films that were new to me). I spent a lot more time doing solo watches as well as hosting movie streams over discord with a fun and friendly group of folks who share my passion for weirdo cinema. I'll admit that this year was not particularly one where I watched a ton of current releases but I'm hoping to catch up soon- still need to see Titane, Benedetta, tons of other stuff. So here in no particular ranking or order are a bunch of my faves from this year. I'm also listing at the end the movies I didn't enjoy. I'm not including short films on this list either but might consider making another post about favorite shorts by theme. You can also check out my letterboxd to see all the stuff I watched in 2021 and years prior. My Faves viewed in 2021 1) Shirley (2020) I started my year off strong by catching a digital screening of Shirley (paired with Leigh

 Science fiction is a genre where anything is possible- human beings travel the stars, we create artificial life, we transcend the binary notions of gender, achieve equality, cure all illness, cheat death, find alien life in the universe, unravel the very fabric of being, traverse dimensions, read minds, and if we're not wise we destroy ourselves. When anything is possible, why do so many stories seem to only focus on war, weapons, soldiers and war machines?   When I think about stories and authors that have stuck around my brain for years, I am not thinking about war for the most part- I am thinking about the worlds created by Ursula K Le Guin, Ted Sturgeon, Bradbury, Clarke, Vonnegut, Andre Norton, Sam Delany, etc. I don't mean those stories which act as commentaries on war or on human nature. One of the best contemporary sci-fi stories I read to date is Isabel Fall's I Identify As An Attack Helicopter, which is an incisive and controversial commentary of the military ind